Three for Tuesday: U.S. Royalty, Snowblink, Young Circles

U.S. Royalty -

Up-and-coming quartet U.S. Royalty (hailing, appropriately, from Washington D.C.) have been making some waves this year with their debut album, Mirrors. Combining classic rock 'n' roll elements with bits of folk and indie rock, frontman John Thornley and company have released a solid first effort with songs ranging from Local Natives-esque anthems ("Equestrian") to fiery blues stomps ("Hollywood Hollows") to beautifully melodic ballads ("Old Flames"). Personally, I think the band is at their best when they hold to the more classic elements of their sound, but Mirrors proves U.S. Royalty has plenty of ability when it comes to crafting a variety of tunes. Definitely a group to keep your eye on.

Download:

The Equestrian (MP3)

Monte Carlo (MP3)



Snowblink -

Knowing several variations over its fairly brief existence, Snowblink currently consists only of Toronto-based Daniela Gesundheit and Dan Goldman, though the duo feature a variety of collaborators on their new record, Long Live, including members of Deerhoof and Dirty Projectors. The album's somewhat experimental folk sound is both refreshingly odd and undeniably beautiful, with some fantastic moments scattered among its brief 34 minutes. Whether patiently unfolding a winding, beguiling ballad or breezing through a triumphantly melodic interlude, Gesundheit demands your rapt attention with her lovely, warm voice and unusual songwriting. There are plenty of musicians reaching for the kind of seemingly effortless brilliance found on Long Love, but few achieve it so completely as Snowblink.

Download:

Ambergris (MP3)

Tired Bees (MP3)


Young Circles -

It's difficult to put any sort of descriptive label on Florida trio Young Circles; the band's debut EP, entitled Bones, blends more disparate elements than it has tracks. But then that's precisely what makes the album such a thrilling 23 minute journey and why this band is one you should know. Utilizing everything from moments of acoustic clarity to washes of disorienting noise to undercurrents of smooth jazz, Young Circles never let you get entirely comfortable, and if you're willing to stick with them through all the sharp twists and turns, you'll likely find this first effort to be a gripping one. Get familiar with these guys, you can bet everyone else will be soon.

Download:

Sharp Teeth (MP3)

Listen to or download the EP (free, I believe)

Three for...Wednesday: Grovesnor, JT and the Clouds, Lawrence Arabia

Grovesnor -

Rob Smoughton, recording under the moniker Grovesnor, is a member of Hot Chip - though despite the connection it's unfortunately unlikely you've heard much about the guy. As Grovesnor, he makes a brand of electro-funk that seems in some ways related to the music of his other band, but Smoughton leaves behind the endearing geeky sentiment for a sleek, sexy pop approach that's just as difficult to resist on his new album, Soft Return. On cuts like the groovy "Taxi from the Airport" and the appropriately sultry "Nitemoves" Smoughton proves he's got a way with a hook and enough vocal firepower to make them effective. Thin digital drum beats and skittering electronics fill in the spaces between the keyboard riffs, with Smoughton effectively transforming himself into his playboy alter-ego over the course of the record's 11 tracks. (MySpace)

Download: "Taxi From the Airport"

JT and the Clouds -

JT Lindsay, frontman for rock 'n' rollers JT and the Clouds, had something of a late start to his music career. But he's making up for it now, especially with his excellent new LP Caledonia, which was recently released and has been in steady rotation for me over the past few weeks. Lindsay and company make breezy, melodic rock 'n' roll with classic roots and a soulful edge - showcased best on highlights "Funeral" and "How it Runs," two hook-filled rock tunes that make me wonder why I hadn't been exposed to these guys before. The band works their way through everything from earnest ballads ("I Have Heard Words") to odd pop numbers ("Grow Your Flowers") with an equal measure of style, making Caledonia a consistently infectious and fun album from a band you should get to know as soon as possible (MySpace)

Download: "Fever Dream" (zipped MP3)

Lawrence Arabia -

Lawrence Arabia is the recording and performing name of one James Milne, who's biggest claim to fame was perhaps his being a touring member of Okkervil River at one time. Thankfully, Milne decided to step into the spotlight and has now released his second solo effort, Chant Darling, a wonderfully eclectic pop album that never stays still and always manages to impress. The album's highlights show several different yet consistently entertaining sides of Milne's musical personality; "Apple Pie Bed" has a slick, danceable edge reminiscent of Of Montreal, "Eye A" is a jangly bit of pop-rock, and the appropriately atmospheric "Dream Teacher" makes for a peaceful goodbye to end the record. This New Zealand crooner not only provides some undeniably catchy tunes with plenty of variety, but shows genuine promise for anything he decides to do next. Definitely an artist to keep an eye on going forward. (MySpace)

Download: "Apple Pie Bed"

Three for...Monday: Yukon Blonde, Anais Mitchell, Treetop Flyers

Yukon Blonde

Yukon Blonde is the latest in a long line of noteworthy Canadian indie rock bands, and with their first LP I think they're well on their way to joining the upper echelon of such a group. The quartet (comprised of Jeff Innes, Brandon Scott, Adam Newton, and Graham Jones) already have an EP under their belt, and their debut full-length is even better - an eclectic and fun set of tunes that blends all sorts of genres, from folk to power-pop, but ultimately establishing a unique sound for the band that deserves a listen. Highlights like the appropriately breezy "Wind Blows," the smooth rocker "Brides Song" and the slightly twangy closer "Loyal Man" showcase the multi-layered vocal harmonies, endless hooks, and Americana-meets-indie style that makes Yukon Blonde such an appealing new outfit. I really can't imagine anyone not enjoying the music made by this talented and bunch of artists.

Rather Be With You (MP3)

Wind Blows (MP3)

MySpace


Anais Mitchell

I'll admit I first checked out singer/songwriter Anais Mitchell's latest because I noticed Justin Vernon (of Bon Iver) was involved, but there's much more to Hadestown than an impressive guest list (also including Ani DiFranco and Greg Brown, among others). Hadestown is, according to Mitchell's website, "a folk opera based on the Orpheus myth and set in a post-apocalyptic American depression era," so you know it's an ambitious project to say the least. But the quality of the storytelling, the "casting" of the different characters and the engaging songs make this a truly successful concept album. Vernon's Orpheus is lonesome yet hopeful, Brown's Hades is grimy and dark, his wife (DiFranco) is enjoyably strange, and Mitchell still manages to shine among all the star power as Orpheus' lover Persephone. Hadestown is one of 2010's most unique and interesting musical experiences, making Anais Mitchell a name you need to know.

MySpace


Treetop Flyers

Folk rockers Treetop Flyers released their debut EP in the Fall of last year, though I only heard about it recently and I think it definitely deserves mention here. The UK outfit's five song effort has a rootsy, Americana sound that I'm admittedly a sucker for, but the music's appeal will certainly extend beyond fans of the genre with its smooth melodies and excellent musicianship. Each song remarkable, but my favorites are 0pener "Mountain Song," a sweeping classic rock tune filled with big choruses and impressive riffs and solos, and "Is It All Worth It?," which shows the gentler side of the band with a tuneful acoustic ballad that is just as great. These guys may look to the past for inspiration (comparisons to any number of classic folk and rock artists are easy to make), but they're also well on their way to establishing themselves as a band to watch with a style that's all their own.

For an email address, you can download "Mountain Song" HERE (highly recommended)

MySpace

Three for Wednesday: Bridges & Blinking Lights, Polar Bear, Mighty Tiger

Bridges & Blinking Lights -

Denton, Texas rock outfit Bridges & Blinding Lights are a difficult bunch to pin down stylistically, but of course that's part of what makes them fun. I'd say "Southern shoegaze indie rock," but there's such a wealth of influences at play here it's impossible to find the perfect descriptor. So while comparisons escape me, I'll just say that you should check out the band's sophomore effort, Heroes, Guns & Snakes as soon as possible. Behind raspy-voiced singer/songwriter Jake Wilganowski, the quartet have created a more than solid rock 'n' roll record that blends pop sensibility with gritty style for strange and compelling results - like the riff-tastic opener "Undercover," the country-tinged title track, and the smoothly rolling "Great Unknown." The musicianship throughout the album is top notch, and with way the entire thing works so cohesively is notable as well, making Heroes, Guns & Snakes one of my favorite "unheard of" records I've heard this year. Get acquainted with these guys, you'll thank me for it.

Download one of my favorites, "Undercover"

MySpace


Polar Bear -

To be honest, I don't know enough about jazz music to write about it intelligently, but I can certainly recommend to you English jazz quintet Polar Bear and their new album, Peepers. Polar Bear is led by percussionist Sebastian Rochford, and includes saxophonists Pete Wareham and Mark Lockheart, double bassist Tom Herbert and guitarist Leafcutter John. Some of those names may be familiar to you, though regardless of what you know about the musicians involved, the intriguing blend of traditional and free jazz elements on songs like the clattering "Drunken Pharaoh" and the more subtle, slinky "Want to Believe Anything" will likely excite any adventurous listener. It's definitely not easy going, but with each listen Peepers reveals further detail, and the immense talent of these musicians makes this a thoroughly fascinating set of tunes. Recommended for modern jazz fans or anyone looking for something unique and left of center.

Listen/Download the track "Peepers"

MySpace


Mighty Tiger -

Mighty Tiger, currently hailing from Seattle, is the latest in a long line of attention-grabbing indie rock bands operating out of the Northwest. Their debut full-length, Western Theater, was recently released and is an enjoyably varied indie rock record, one that showcases the band's many talents and ideas with songs ranging from the melodic piano-pop tune "33 1/3" to the Oriental-sounding ballad "Chibi Girl" to the winding rocker "The Most American Thing in America." Though the group brings to mind a number of their alt-rock contemporaries, they also seek to establish their own personality and style throughout their first record, succeeding often enough that Western Theater feels fresh and is consistently enjoyable for its 52 minutes. With plentiful harmonies, catchy riffs and intelligently constructed tunes, Mighty Tiger is one to keep an eye on - I imagine they'll continue to impress long after this solid debut.

Download "33 1/3"

MySpace

Three for Wednesday: Zeus, Locksley, Elaine Lachica

Zeus -

Zeus, the band, was born from the longtime friendship of Mike O'Brien and Carlin Nicholson, who were/are members of Broken Social Scene member Jason Collett's touring band. Also featuring Rob Drake and Neil Quin, the Canadian rock quartet just released their debut full-length, entitled Say Us, an accomplished first effort and a really fun rock 'n' roll record. Blending all sorts of pop-rock elements - from sharp, Strokes-esque riffs to the driving piano-pop of New Pornographers - these guys create an eclectic yet somehow still focused set of 12 tracks that I've been unable to stay away from for long. Highlights include the jangly "Kindergarten," the bluesy pop tune "The Renegade," and joyfully sunny "Marching Through Your Head," but there are 12 very good reasons to hear Say Us as soon as possible.

MySpace


Locksley -

Judging by the second effort from Madison, Wisconsin natives Locksley, these guys know how to have a good time. Be In Love is a hook-filled blast of British Invasion-inspired rock that starts off with a bang and rarely slows to less than fifth gear throughout 37 minutes, providing plenty of great pop moments along the way. By design, this is fairly lightweight music - more style than depth or substance - but there's nothing wrong with that and there's no denying the talent that the boys bring to these fun-loving tunes. The energetic guitar lines, playful lyrics, and sunny harmonies make tunes like the cheery "Darling, It's True" and the enjoyably wild "The Whip" about impossible not to love. I'll be both surprised and disappointed if we don't start hearing more about these guys very soon.

MySpace


Elaine Lachica -

If her press page is to be believed (I see no reason why it shouldn't), Elain Lachica has been making music (piano, violin, and singing) since age 3. Apparently all that time and practice has paid big dividends, evident on her third and recently released effort, I Think I Can See the Ocean. Lachica is a gifted songwriter, singer and musician with an unusual, distinctive edge that sets her music apart from her contemporaries and her new album is a strikingly diverse one, a mixture of disparate elements that is not only fascinating but manages to somehow coalesce into a engaging whole. From the jazzy, piano and horn-led "Tumbleweed" to the grandiose "Jinx the Line" to loud, spacey "Rapture," Lachica never stays in one place for long, but for the adventurous, I Think I Can See the Ocean will be a great find indeed.

Bewilder (MP3)

Behind My Mind (MP3)

MySpace

Three for Wednesday: Uniform Motion, Charlie Alex March, The Heligoats

Uniform Motion

Uniform Motion was first described to me as "our favorite Anglo-French illustrated indie folk band," and I suppose since I have no other Anglo-French indie folk bands to compare them to, they've become mine as well. But speaking less specifically, Uniform Motion has recently released a lovely album called Life that I think just about anyone would enjoy no matter the comparisons. The group's smooth and subtle sound isn't just easy on the ears, it's filled with soft hooks and engaging melodies that make the eight tracks of the record pass far too quickly. The delicate harmonies comprising opener "Saving Up For Sundays" and the more upbeat pop of "Roll Over" are two great examples of what makes this band and this record worthy of our time and attention.

Check out a video for "Saving Up For Sundays" below:

Saving up for Sundays from Uniform Motion on Vimeo.

MySpace


Charlie Alex March

"It's a beautiful glockenspiel and string-led instrumental that gently comes and goes in under three minutes. Delightful." So said David Bowie of one of UK musician/producer Charlie Alex March's previously released songs, and while I don't know which song it was, similar praise could appropriately be ascribed to much of March's full-length debut, Home/Hidden. Mixing cool electronic elements with warm strings and percussion, March creates relaxing, yet intriguing soundscapes over the 31 minutes of his new record. And while it's not, due to its subdued nature, an album that is likely to garner much attention this year, it's a shame that it will be overlooked by so many because the music is truly gorgeous. Highlights include the spacey, clap-happy "Cortot N° 7," it's majestic counterpart "Cortot N° 6" and the spare piano number "Son of a Joe."

Cortot N° 6 (MP3)

MySpace


The Heligoats

They've now been around for over ten years, but The Heligoats have kept a low profile for the entirety of their existence. Led by Chris Otepka, the band has taken various forms over the years, sometimes existing as a solo project for Otepka outside his former main gig, Troubled Hubble. I haven't heard their earlier material, but I can certainly recommend the group's latest, Goodness Gracious, a solid indie rock record with strangely compelling songwriting and hooks to spare. Whether playing earnest power-pop ("Fishsticks") or delicate balladry ("Goodness Gracious"), Otepka's even tenor voice and unique musical personality make for a winning combination and provide plenty of reasons to listen again and again. Ten years is far too long, don't let these guys go undiscovered any longer.

Fish Sticks (MP3)

MySpace

Three for Saturday: King of Prussia, The Brunettes, Mux Mool

King of Prussia -

The idea of combining pop and country western music may make some cringe, and rightfully so; we've all heard plenty of bad examples of the marriage of those two genres. But indie rock band King of Prussia offers a much more appealing side of just that blend. With laid-back pop hooks and a decidedly country presentation (banjos, slide guitars, etc.), the collective has created a remarkably beautiful three-song EP called The Time of Great Forgetting that I simply can't stay away from for long. From the lovely waltz "Waitin' For SOmething" (available below) to the bouncy "Psychic Powers," King of Prussia waste no time in qualifying themselves as a band to watch going forward. Highly recommended.

Waitin' For Something (MP3)

MySpace


The Brunettes -

The Brunettes had a breakthrough of sorts with the release of their previous disc, 2007's Structure & Cosmetics, but they remain well below the radar for most. I imagine their latest effort may do more to change that, however. Paper Dolls is a joyful and upbeat set of tunes from the New Zealand indie pop duo, one that plays around with many digital and organic elements with consistently fun results. It may be a little sugary for some, but tracks like the sharp, energetic opener "In Colours" and the tropically-tinged "It's Only Natural" are nearly impossible not to enjoy. Definitely worth a listen if you're into boy/girl pop harmonies and a little ambition in your pop music.

Red Rollerskates (MP3)

MySpace


Mux Mool -

Brian Lindgren, or Mux Mool, is an electronica artist you probably don't, but definitely will soon, know. And to help things move along, Mux Mool and Ghostly International are giving away an MP3, "Lady Linda," and an entire EP, Viking Funeral. Lindgren is quickly showing he's got the talent and inspiration to be worthy of our attention with tunes like the spacey "Drum Babylon," the completely outrageous "Goblin Town" and a sweet version of a song called "Death 9000" featuring Prof and the inimitable P.O.S. He's got a full-length out on March 23rd called Skulltaste, but you really should hear his stuff soon as possible, it's an excellent introduction to an exciting talent.

Lady Linda (MP3)

Viking Funeral EP

Three for Friday: Oh No Ono, Horse Stories, Joey Ryan

Oh No Ono

I checked out Denmark's latest export, Oh No Ono, on a whim a couple weeks ago knowing almost nothing about band. It turned out to be time well spent however as the experimental collective's sophomore effort, Eggs, is one of the most enjoyably strange and genuinely fascinating albums I've heard so far this year. Over the course of ten tracks, Oh No Ono takes you on a psychedelic journey ranging from nimble pop tunes to hazy, meandering rockers that incorporate myriad musical elements and themes. The off-kilter, unsteady vocals and grandiose selection of strings, synths, and drums never truly establish cohesion on Eggs, but the unexpected twists and turns are all part of an experience you'll enjoy losing yourself in. Highlights from the album include the outlandish synth-rocker "Internet Warrior," the bouncy "Helplessly Young" and the watery "The Tea Party." The albums drops in the US on Jan 26th, but it's available digitally now.

MySpace


Horse Stories

Horse Stories is the main project of LA-based Australian singer/songwriter Toby Burke, whose latest album and first in four years, November, November, is out next week. His thoughtful Americana style has earned him numerous comparisons to Bob Dylan, who no doubt has been a big influence on Burke, though he certainly seems to be seeking to establish his own identity as well here. In just over a half hour, Burke offers more than enough examples of his considerable songwriting talent in a mostly mellow approach that doesn't need big choruses and loud guitars to make an impact. The gentle sway of "Standing in the Snow," the melancholy musings of "Hole in the Head" and the reverent finale, "The TV" all showcase the modest yet somehow enthralling melodies and insightful lyrics that make Horse Stories a name you should know. Get a taste of the album by downloading the opening track, "Hummingbird," below.

Hummingbird (We'll Be OK) (Zipped MP3)

MySpace


Joey Ryan

My first thought while listening to Joey Ryan's new EP, Kenter Canyon, was that he sounded quite a bit like Ryan Adams, which - in my opinion - is great company to keep. He also features some notable names on his new songs, including Sara Bareilles and Dave Rawlings, which caught my eye and should definitely help to further his cause. Fortunately, even without all the name-checking, Kenter Canyon (available on the 19th) is a great introduction to a truly talented new artist if you, like me, haven't heard the name Joey Ryan before. From the opening finger-picked guitar riffs of "Broken Headlights" to the bluesy folk rock of "Permanent," his earnest, rough tenor and personal yet relatable lyrics make Ryan's appeal quite obvious, and I'd be surprised if his name isn't one we'll start hearing much more frequently.

You can hear the entirety of the new EP on his MySpace page and you can download "Permanent" through his website HERE.

Three for Friday: Mike Coykendall, White Pines, Silent Paper Radios

Alright, I'm trying to get back in the groove after an unfortunately long absence, so I thought I'd start with three more under the radar singer/songwriters you might enjoy.


Mike Coykendall

You may not have heard the name mike Coykendall before, but you'll know the artists and bands he's recorded or performed with over the years, including M. Ward and Blitzen Trapper. Coykendall has also released his own music with various bands and even under his own name for years, though much of his stuff is apparently hard or impossible to find. I count myself lucky, then, that his latest effort, The Unbearable Likeness of Being, crossed my path recently as it's sure to go unfortunately unnoticed by most this year. On his new album, Coykendall's lo-fi pop sound covers territory ranging from psychedelia to folk to bluesy Americana in a brief but efficient 33 minutes that's consistently surprising and often fantastic. With highlights like the trippy haze of "Spacebaker Blues" and the alt-country balladry of "First Shot, Best Shot," he offers a generous amount of subtle yet impressive pop hooks and quirky, introspective songwriting that makes this record an enjoyably and genuinely unique experience.

You can hear/buy the album HERE.


White Pines

I'm a sucker for a good folk song, and Joseph Scott, recording as White Pines, has made several on his EP, A Face Made of Wood, released last year. Scott is a member of several bands (Canada, That's Him! That's The Guy!, and Saturday Looks Good To Me) that I haven't had the pleasure of hearing yet, but if this folk project of his is any indication, they're probably worth checking out as well. After extensive touring with his other groups, Scott took the time to record music as White Pines and then toured again for a while under that name with fellow indie folksters Cotton Jones. With its gentle, often sparse approach, this EP allows Scott's strong songwriting to shine over the acoustic guitars, banjo, and simple percussion that make up the instrumental backdrop to his introspective stories. Each of the five songs comprising the 22 minutes of the album are thoughtful and compelling, and if you haven't heard them already, you owe it to yourself to do so.

MySpace


Silent Paper Radios

Dan Gubbins is a singer/songwriter out of London quietly making some truly beautiful music under the moniker Silent Paper Radios. After becoming disillusioned with creating electronic music, Gubbins fortunately turned to folk where he hopefully will spend some time as he's obviously found something in which he excels. With just a small assortment of acoustic instruments and his stirring tenor voice, Gubbins manages to captivate quite completely on his new and second EP, The Willow Tree, which he is releasing this month. Songs like the cold, dark "Upon Those Fields" and the more wistful "Willow Tree" have the kind of lonely, isolated sound you might hear on a Bon Iver record, though Gubbins more often sticks to the traditional side of folk for these five songs. He's still very undiscovered, but that's a fact I expect to change soon, so you might as well take a listen now to introduce yourself to this talented newcomer.

MySpace

Three for...Friday: Sleeping States, Ample Branches, Sol Giant

Sleeping States -

Sleeping States is the project of one British songwriter Markland Starkie, whose second/third album (depending on how you're counting) was released in the UK recently. I don't believe it has made it across the pond officially yet, but In the Gardens of the North is worth hearing as soon as you can get yourself a copy no matter where you live. The sparse, dark sound that Starkie creates probably can't be classified as lo-fi, at least not on this release, but his simple aesthetic has the sort of charming, DIY feel that makes what he accomplishes here seem especially impressive. Over a bed of spare percussion and soft yet insistent bass, Starkie utilizes a variety of guitars, strings, and his warm, even tenor to build songs that may seem modest at first listen as they're often quiet and restrained in nature, but the captivating melodies and attention to instrumental detail become quite gripping when you take the time to become fully immersed in the experience. Amid the lean, 9-song selection are some truly gorgeous moments, like the intimate guitar interplay on "The Next Village" or the gentle pop perfection of "The Cartographer" that closes the album, though with no excess, In the Gardens of the North is a consistently wonderful record.

Gardens of the South (MP3 via The Line of Best Fit)

MySpace


Ample Branches -

I know next to nothing about indie rockers Ample Branches, though I gather they're from Lawrence, Kansas and have released at least one full-length album called True Vine, which I admit I've yet to hear. But when a somewhat mysterious email prompted me to download their new EP entitled Fluorescent Forest, I decided that even with no introduction, I'd give them a shot. Glad I did too, as the band's interesting mix of rock, Americana and psychedelia makes for an enjoyably varied and consistent five songs for their latest release. As the email read, this EP contains some of the band's "stock of recordings accumulated over the past few years," so what you get probably wouldn't be considered a cohesive set of tunes, but a showcase of the band's many capabilities. Opener "Empty Chair" is a continually-building, group-chanted anthematic rocker, the title track is funky and horn-laden, while "Keystone Can" is a classic rock tune filled with jazzy piano and guitar solos. Fortunately, though the spread of styles can be a bit overwhelming, Ample Branches handle each approach with confidence and success. Not sure about the release date or availability of this one, but I'll post a track here for the curious.

Empty Chair (MP3)

MySpace


Sol Giant -

Pop-rockers Sol Giant are from sunny Southern California, but you could probably tell as much just by listening to their music. With bright guitars, urgent drums and epic, glowing choruses, the tunes they create seem somehow connected to their geographic source, at odds with the snow and cold that has settled outside my window as I write this. Although the band has a bit more 'mainstream' alternative sound than you're probably used to finding here, I've been loving their debut EP, entitled Strangers, which was released in November. Behind big-voiced singer/songwriter Eric Nicolau, the quartet makes alt-rock that's catchy and engaging, with enough of a twist to stay interesting throughout their five-song first effort. The earnest and subtly funky "Don't You Lie to Me" features sharp guitar lines and a sexy bass groove, while the jangly "Where I'm Supposed to Be" is a more Beatlesque pop number, but my personal favorite is the emotive acoustic ballad "Been to the Mountain." Strangers is a great start for this ambitious young band - hopefully they've got more on the way soon.

MySpace

Three for...Thursday: Mayer Hawthorne, Apse, The Sun

Mayer Hawthorne -

A white, thirty year-old soul singer and DJ from LA, Mayer Hawthorne (born Andrew Mayer Cohen) would seem to be an unlikely pick to record one of my new favorite debut albums, but the (almost) one-man band has proved himself a genuine talent with his recently released first effort, A Strange Arrangement. Cohen's croon has drawn comparisons to the like of Smokey Robinson (among others), which is no small compliment, and throughout this debut he uses his smooth tenor to nail a variety of classic pop and R&B styles, which he recorded primarily by himself. On songs like the album's title track and the lonely "I Wish it Would Rain," Cohen channels a smooth, sultry soul sound, while elsewhere he gets funkier with the falsetto-laden "Just Ain't Gonna Work Out" and the jazzy "Maybe So, Maybe No." My personal favorites are the Supremes-meets-Temptations cuts like "Your Easy Lovin' Ain't Pleasin' Nothin'" and "One Track Mind," but most everything on A Strange Arrangement is not only a fun tribute to the past, but a unique modern twist on those golden oldies that's fresh and inspired.

Maybe So, Maybe No (MP3 via Rhythm Incursions)

MySpace


Apse -

Apse is a difficult band to keep track of. Over the last few years, the group has undergone continual lineup changes and major stylistic shifts, staying almost deliberately (it would seem) under the radar. I only recently discovered the band with the release of their second major album, Climb Up, the band's most rock-oriented and accessible effort to date and one that has made quite an impression on me. Where the music used to be drowned in distortion or obscured with hazy atmospherics, its parts are now more distinct and noticeable, with understandable lyrics and more traditional song structures, though the band continues their penchant for dark, haunting instrumental textures and themes. The band's unique brand of eerie, psychedelic rock ranges from bombastic and strange ("The Age") to dark and edgy ("Blown Doors"), captivating at each turn with a mix of organic and digital elements blended seamlessly. Due to the band's chosen palette, Climb Up can at first seem dense and somewhat homogeneous, but each listen reveals more than the last, including standouts like the warm, swirling "In Gold," the appropriately-titled "The Whip," and the slightly Radiohead-esque "The Return."

Watch the gorgeous video for "3.1" at Stereogum

MySpace


The Sun -

Ohioans The Sun have recently released a new album entitled Don't Let Your Baby Have All the Fun, a fun-loving pop rock record and the band's first since their 2005 effort on Warner Bros. This time around, the band has opted for a decidedly different approach than the major label strategy - they're giving the record away. They are not, of course, the first band to put their music online for free download, but when the tunes are this good, it seems all the more impressive and notable. The new album, recorded with help from Spoon producer Mike McCarthy (whose influence is apparent), is sharp, energetic, and instantly catchy - yielding some great tunes like the shuffling mid-tempo "Special Day," the driving messy "Do the Sucker," and skittering, electronic "Alien." With not a wasted moment on the record's ten brief tracks, Don't Let Your Baby Have All the Fun definitely defies the idea that you get what you pay for. If, for some reason, you haven't already, go download the album or at least take a minute to check out the songs available below. The Sun deserve your attention not just for their generosity, but for the quality of music they create.

So Long, Sundays (MP3)

In Perfect Time (MP3)

MySpace

Three for...Friday: Golden Shoulders, Olafur Arnalds, General Elektriks

If you aren't too busy hitting the stores today for your Christmas shopping, check out these three fine artists/bands that may have escaped your attention thus far:

Golden Shoulders -

California indie-rockers Golden Shoulders are another of those bands that have flown under the radar for much of their 7-year existence. Their third album, Get Reasonable, has received more attention than their previous work, and for good reason, it's a solid rock record with slight retro leanings and an almost punk attitude that provides some undeniably great tunes. First single and opening track "Mountain" (available below) is a fine introduction that fits squarely in the middle of the band's sound. It's driven and rockin' one moment, then jangly and soulful the next, with singer/songwriter Adam Kline's scruffy tenor voice (like a rougher Brendan Benson or maybe that guy from SR-71) leading the way. In fact, Kline is really the only permanent member of this rotating cast - which at one time included the great Joanna Newsom - though it seems as if the band has congealed somewhat lately. But that hasn't stopped Get Reasonable from being an enjoyable varied selection of songs in which Kline shines brightest, creating unassuming yet compelling highlights like the spacey ballad "Golden States" and the power-pop track "Unconcerned Is Not Impressive Anymore."

Mountain (MP3)

MySpace


Ólafur Arnalds -

I recently discovered Icelandic artist Ólafur Arnalds at almost exactly the time when I found out about fellow Icelander Ólöf Arnalds (who I featured recently over at In Review Online). The two names were so similar I did a double take, but the musicians have very differing styles and both are excellent. Ólafur Arnalds is a multi-instrumentalist that has apparently been involved in a variety of projects over the years, but currently creates beautiful instrumental music under his own name. His latest, a short album entitled Found Songs, was released a song at a time on Twitter with artwork from fans contributed through Flikr, a neat gimmick but one that isn't nearly as impressive as the music itself. Arnalds' intricate yet mostly simple neo-classic arrangements are striking, with delicate piano and stirring strings serving as his primary compositional elements, at least on this album. From the solitary piano of opener "Erla's Waltz" to the hopefully-hued violin duet "Ljósið," Arnalds casts a spell of quiet contemplation that consistently conveys more emotion than you might expect possible from such a restrained style. Truly beautiful.

Ólafur Arnalds - Ljósið (Official Music Video) from Erased Tapes on Vimeo.

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General Elektriks -

Listening to the latest album from General Elektriks, Good City for Dreamers, it's not immediately clear that the project is the work of one man named Hervé “RV” Salters, a French national with a thing for vintage keyboards and danceable pop tunes. His sophomore effort is an eclectic mix of synth-rock, funk and R&B that sounds like it would have of necessity been inspired by more than just one man's musical influences. A look at his list of favorite albums - ranging from The Beatles' Revolver to The Beastie Boys' Check Your Head to Marvin Gaye's Here My Dear - may give his far-reaching approach some context, but the breadth of styles RV comes up with on Good City is head-spinning. There's groovy white-boy funk ("Take Back the Instant"), drowsy psychedelic ballads ("Cottons of Inertia"), and bits of dark retro-pop ("Rebel Sun") that somehow combine to form a whole that's still consistently satisfying. In addition to RV's signature keyboard playing, he uses string and horn arrangements, electric guitars, and even - on "Helicopter" - a children's choir to give life to these fun, fresh tunes. Definitely recommended for those indie kids who prefer the more dance-inspired side of the genre.

Take Back the Instant (MP3)

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Three for...Thursday: Sleep Whale, The Dø, Bellflur

I apologize for my online absence - but there's some good stuff coming - I promise. That includes this selection of three noteworthy new artists of course:

Sleep Whale -

After a beautiful debut EP and an equally strong full-length both released this year, it was clear to me that Sleep Whale (originally known as Mom) were a band worthy of mention here. The (almost) entirely instrumental Little Brite EP (first released in 07) showed a band that could build gorgeous soundscapes that were both unique and accessible - utilizing guitar, cello, and various field recordings and digital effects. From this base they expanded their sound to include more vocal and percussive elements among other things on their first LP , Houseboat, which was just recently unveiled. At first I balked a bit at the transition to songs that were um, more song-like and slightly less abstract, but Sleep Whale's latest retains what made them special in the first place while showing remarkable growth in a brief period of time. Plenty of the tracks hearken back to the band's earliest work - like the thoughtful "Roof Sailing" or the shimmering "Icicles," but the vocal-led tunes are just as engaging, especially the appropriately watery "We Were Dripping." This is lovely, almost otherworldly stuff sure to captivate any willing to let it sink it.

Josh Likes Me (MP3) - from Little Brite

Cotton Curls (MP3) - from Houseboat

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The Dø -

The Dø is a French duo comprised of Olivia Merilahti and Dan Levy, who wrote, recorded and produced their debut album, A Mouthful. The record is notable for several reasons, one being that this is the first album by a French band performing in English to reach #1 on the French music charts, which is impressive. But the music itself warrants even higher praise. The Dø are difficult to categorize as they are almost schizophrenic in their stylistic variance, ranging from twee-pop ("Playground Hustle") to tribal chants ("Unissassi Laulelet") to almost MIA-esque rap ("Queen Dot Kong") and utilizing everything from a choir of children to every percussive instrument you could name to support Merilahti's yearning, child-like voice. So the album may not be for those who prefer consistency, but for the adventurous there's plenty to love here - A Mouthful is one of this year's most joyfully exploratory pop albums. Highlights will probably depend on individual taste, but for me the three best tunes are the dark, poppy "On My Shoulders," the ukulele-led ballad "Stay (Just a Little Bit More)" and the more aggressive "Tammie."

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Bellflur -

Washington DC band Bellflur first caught my attention with a song entitled "Grey Sparkle Finnish Pig," which I admit just made me curious initially but ended up making a very good first impression. The group has been around since 2001 and have released several albums, the latest of which is an EP called Last Quarter of the 20th Century Blues. If you, like me, haven't heard about the band before, I recommend get acquainted by taking a listen to their new record, which is a dreamy, psychedelic collection of tunes with post-rock leanings. Though Bellflur might be considered a vocal-centered band, the music they make is less about lyricism and more about complex instrumental arrangements and progressive song structures, using various organic and digital elements in composing their music. Their all-encompassing approach and obvious ambition makes songs like opener "Grey Sparkle Finnish Pig" - a menacing, shifting indie rocker - or "The Rhythms of Waking and Sleeping" - a fascinating blend of atmosphere and abrasion - such intriguing and compelling listens. These four are definitely worth keeping an ear on as I imagine you'll be hearing much more about them soon.

Grey Sparkle Finnish Pig (MP3)

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Three for Friday: Bobby Birdman, Keegan DeWitt, The Gideons

Bobby Birdman -

My introduction to Bobby Birdman came just recently with the release of his new album, New Moods, but he's been around off and on for eight or so years now, continually under the radar. The recently released record, which promises to be his "most complete musical effort to date," is an intriguing combination of bedroom electronica and freak-folk with traces of R&B throw into the mix. His laid-back vocal vibe often contrasts the fact that there's quite a bit going on with these tunes, but the contrast serves him well. Highlights from the album include the breezy pop-rock tune "Only For a While" (available to download below), the strangely funky "What You Say" and the bouncy "You'd Be Surprised," but even less accessible tracks like "Weighty Wait" - a mix of slushy electronics, hazy vocals and rambling acoustic guitar - have plenty to add to the album's overall effectiveness. If you haven't picked up anything by Birdman before, I recommend New Moods as a nice place to start.

Only For a While (MP3 via RCRD LBL)

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Keegan DeWitt -

I've mentioned Keegan DeWitt in passing before, but the film scorer-turned-pop artist deserves a better introduction here with the release of his new album, Islands. DeWitt has already earned praise for the music he creates for movies, but this time around he's showing his chops as a songwriter in addition to his compositional abilities. With an endearingly drowsy voice, a knack for intimate and engaging songwriting, and a more than capable band - The Sparrows - to back him up, DeWitt's latest is a lovely set of soulful, jazzy tunes that begs to be heard. From my introduction to the first single, "Telephone," a charming waltz, everything on Islands has impressed me, especially the sexy swing of "Stormy Weather" and the more rock-oriented "Come Celia." Whether it's the emotive string arrangements or touches of electric guitar, each detail on the record feels beautifully crafted and arranged, though knowing his background you would expect no less. Definitely worth a listen, links below:

Telephone (MP3)

Daytrotter Session (amazing)

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The Gideons -

Fans of garage rock should look no further than Halifax's own The Gideons for two reasons. First, the young Canadian quintet have just released a double LP full of raw, energetic rock 'n' roll that's got its fair share of great tunes. Second, though the vinyl pressing is extremely limited - the band is giving away digital copies for free to absolutely everybody (link below, if you're eager). I'm certain there's at least a little something for all tastes on Oxford Street, which shifts between sloppy power-pop ("She Moves Me"), Southern-tinged classic rock ("Coke & Whiskey) and a few Beatlesque numbers ("Never Say I Love You") with ease. The album may be a bit uneven over the course of 20 songs, but not only is the price right, these guys have a simple, effective chemistry that is impossible to deny and enough talent to convincingly tackle such a broad range of tunes. So, I'm doing my part by passing this along to you - now you just listen and enjoy, easy enough?

Oxford Street (full album download)

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Three for...Tuesday: LAKE, Erik Gundel, The Lower 48

LAKE -

There's no shortage of boy/girl indie-pop bands. In fact, there's been such a saturation that recently that description is more likely to make me wary than excited. Still, some groups manage to rise above what have now become cliched aspects of a somewhat tired genre - LAKE is one of those bands. Led by singer/songwriters Eli Moore and Ashley Eriksson, LAKE has released a stunning new album entitled Let's Build a Roof, a sophisticated - yet melodic - set of intriguing pop songs. The tracks utilize various instrumental approaches while Moore and Eriksson trade off on the vocal duties (occasionally combining their voices), yet the album remains cohesive despite its many facets. Highlights include the beautifully executed "Gravel," with its busy horns and menacing piano, the light, keyboard-centric funk of "Madagascar" and the delightfully breezy ballad "Acorn." The record's low-key pace and all-encompassing pop style makes Let's Build a Roof an album you need to hear.

Madagascar (MP3 via Pitchfork)

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Erik Gundel -

Erik Gundel is perhaps best known for his guitar and pedal steel work with indie rockers Motel Motel, who's excellent debut album was just re-released this year, but recently Erik sent me a copy of his side project EP - simply entitled EP Gundel - and I quickly decided his solo work was very much worth becoming familiar with as well. The songs on EP Gundel bear little resemblance to the music of Erik's main gig, and the eerie, experimental pop sound (perhaps more akin to indie heavyweights Grizzly Bear, or even The Beach Boys at times) is well-composed and beautifully presented throughout the album's five tracks. Whether presenting avant-garde instrumental snapshots ("Turkulent Indigo") or sweeping, vocal-centered songs ("Lake on My Roof"), Gundel's substantial talent shines bright as he uses piano, guitar, percussion, vocal harmony, and atmospheric effects to create a wonderful balance between exploration and accessibility. This is uniquely gorgeous stuff - take a listen.

Lake on My Roof (MP3)

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The Lower 48 -

After first listening and being intrigued by The Lower 48's debut EP, Everywhere to Go, I got a hold of the band's press release and was surprised to find that not only has the quartet only been together since January of this year, but every member is under the age of 20. The five folk tunes comprising the new EP certainly carry a sense of bright-eyed youthfulness, but the poise and talent with which this group executes their songs is nothing short of remarkable. Also, the sultry, smokey voice (something like an earthier version of Thao from The Get Down Stay Down or maybe Alison Sudol of a Fine Frenzy) belonging to the band's female lead could fool just about anyone. Highlights from the group include the simple folk duet "Transmission Pt. 1" and the emotive pop ballad "Bedroom," each tune showing a slightly different aspect to the group's sound and making me excited to hear what these four do next and - hopefully - soon. Give them a listen below.

Transmission Pt. 1 (MP3)

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Three for...Friday: Capybara, Animal Kingdom, Ivan & Alyosha

Capybara -

Earlier this year, Capybara self-released their excellent debut album - Try Brother - and are now planning on a proper release next week on indie label The Record Machine. Hopefully that means more exposure for the band, whose music deserves any attention it receives. Freak-folk might be an appropriate label for the Kansas City group, but they rest on the softer, more melodic side of the genre. Their lo-fi approach - utilizing guitars, banjos, and various percussion - gives their songs a charmingly rustic sound, but its the songwriting that truly shines here. Simple yet arresting melodies, constant harmony, intriguing song structures combine for some truly great moments on their new album - like the shifting, multi-faceted opener "San Francisco, 1906," the strange and perky "The Wimp" and the shimmering "Magpies."The whole album combines to form a truly compelling and captivating experience that actually stacks up well against the best debuts that 2009 has to offer - and that's saying something. Oh, and you're welcome for the tunes - they're both amazing.

Myspace

Soft (MP3)

Birthday Song (MP3)


Animal Kingdom -

Although they've generated a fair amount of hype recently, I still know almost nothing about the UK's Animal Kingdom. I do know that their debut record - Signs and Wonders - was recorded by uber-producer Phil Ek (who's recent work included albums by Fleet Foxes and Bon Iver) and also that it's quite good, which is the point I suppose. Animal Kingdom often sound something like a smooth blend of early Radiohead, Coldplay, and Band of Horses (there's the Ek connection), but while their music may not be entirely unique in its approach, the songs on their debut still contain a genuine distinctness that makes the album worth exploring. First single "Tin Man" serves as a good introduction, showcasing the high, clear vocals and epic-yet-intimate instrumental interplay that can be found throughout the record. They take the occasional break for an acoustic ballad ("Silence Summons You") or groovy rocker ("Walls of Jericho"), which gives some variety to the 12 tracks, and when they get a little strange, as on the dark "Mephistopheles," they prove they're diverse and interesting enough to hold our attention.

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Ivan & Alyosha -

No, that band name isn't the result of some crazy coincidence - the duo recording and performing as Ivan & Alyosha is actually comprised of musicians Tim Wilson and Ryan Carbary. With Wilson on vocals and Carbary on a little bit of everything, the two make music that is refreshingly simple, with no gimmicks, no pretension, just classic pop songwriting and engaging melodies. They have a bit of a retro vibe to them, borrowing from the pop stylings of 60s and 70s at times, and their new EP - The Verse, The Chorus - shows the two artists combining those past influences with a more modern, alt-rock sound. The results won't start any kind of musical revolution, but the songs are genuine, fun, and catchy as can be. And these two are talented enough to avoid simply retreading the territory of those who have gone on before or sticking to just one formula. Opener "Beautiful Lie" features jazzy piano and smooth vocal harmony in an almost Beatlesque style, "Some Friend You Are" is a melancholy ballad, and "Normal People" is a melodic, emotive rock tune. The seven songs of The Verse, The Chorus get these boys off to a great start.

Easy to Love (Zipped MP3)

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