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The tracks with vocals, like the so-sexy-it-hurts rocker "Too Much" and the James Brown-esque "Tonight" are great, don't get me wrong, but it's best when the trio allow the focus to remain on their virtuoso instrumentals. Opener "Up Right" appropriately gets it's name from the piano Neal Evans hammers on in between horn solos, while the guitar and percussion stay more in the background but are no less expertly played. "The Swamp" relies more on Alan Evans's drumming and "PJ's" is all about Krasno's weeping guitar, but the boys generally find a good balance, sometimes going the traditional jazz route and giving everyone a chance to shine on a single track (like on "Hat Trick," for example). This is fun, rockin' blues at its absolute best, and while there are a couple tracks that don't shine quite as bright as the best cuts, the record's 40 minutes contain no filler and plenty of killer.
I'm not much of a jazz junkie, but I imagine Up Here will have almost universal appeal, especially to those that appreciate intelligently composed and skilfully executed instrumental music. Even indie kids like me should have no trouble rocking out to this eclectic set. Eight albums in and Soulive show no signs of losing their edge.
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