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Much of Gifts from Enola's appeal lies in their ability to create such a gargantuan and complex piece of music that maintains its accessibility while simultaneously providing a stimulating and occasionally challenging listening experience. The band's arrangements on From Fathoms are often noisy and dense, but rarely feel oppressive or heavy-handed, and the slower, more delicate sections of the album serve as both a respite from the din and as genuinely fascinating musical movements by their own merit. The album's centerpiece, the 12-minute epic "Trieste," best encapsulates the band's ability to deliver moments of thundering cacophony, while follower "Resurface" showcases the boys at their most hauntingly beautiful. It's a strange, engrossing ride all the way through the appropriately placed "Aves," the most emotionally triumphant tune of the bunch.
The more I listen to this record, the more I enjoy it, and I suppose with most instrumental albums that should be the case, but I've been pleasantly surprised to find how much I like listening to From Fathoms from beginning to end even after some intensive time with it prior to this review. I realize there's a good chance that I haven't properly described their sound, so check out the band on MySpace where you can hear a good chunk of the new album.
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