
Opening tracks - the intense, dramatic first single "Help I'm Alive" and the driving, catchy "Sick Muse" set the stage for the remainder of the record. Haines delivers her pointed lyrics with extra doses of sincerity and sarcasm in equal measure while the drums pound out simple beats over which the layers of guitars form walls of noise that build to grand explosions of sound. It's not exactly revolutionary, but Haines has a keen ear for melody and the band ably back her with sharp execution throughout the record. Though the songs on Fantasies are a bit uneven, there are enough shining moments here to justify some quality time with the album. The synth-heavy rocker "Gimme Sympathy," the shimmering "Collect Call," and the sparse, distant "Twighlight Galaxy" all succeed admirably and with style.
As good as much of Fantasies is, the latter half of the record feels scattered, as songs like the scuzzy "Front Row" and the noisy, messy closer "Stadium Love" contribute little toward what should have been a stronger finish. Here, the music feels forced and the lyrics lean toward more vapid generalities that leave the songs feeling strangely empty. Fortunately, the few misfires don't derail the entire project, and the record retains some decent replay value with Haines' crystal clear voice and edgy attitude holding things together. At times it's sexy, other times angry and bitter, but Fantasies is always catchy, confident, and just about crowded with hooks. Metric seem to be on an upward trend here; let's hope that holds.
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